Micah Rose-Trespeuch Delivers a Fearless, Emotionally Devastating Triumph in 'Coughing Up Blood'
- STAFF
- Jun 14
- 4 min read
By: Staff
An extraordinary vocal powerhouse, Micah Rose-Trespeuch transforms pain into cinematic, genre-defiant art.
Micah Rose-Trespeuch’s full-length debut, Coughing Up Blood, is a breathtaking confrontation with personal tragedy, emotional endurance, and the raw power of performance.
The album opens with “One & Two,” a striking declaration that immediately fractures conventional expectations. Rose-Trespeuch delivers a Broadway-inflected vocal performance. It is commanding, cathartic, and gloriously self-assured. Accompanied by a purposeful piano presence that refuses to remain in the background, his voice draws you into a vacuum where only his expression matters. With every breath, he asserts his authority as both a performer and emotional architect. He takes his role seriously in a way that leaves listeners both grounded and shaken. The deliberate pacing between breath, beat, and lyric keeps the listener hooked not by force but by intrigue. His pauses are as meaningful as his proclamations.
Gaetan Allard’s drums subtly enter with restraint, slowly building a muted pulse that coaxes the listener into a stirring, theatrical crescendo. Julien Baraness, as the producer and creative collaborator, ensures the instrumentation wraps around Rose-Trespeuch’s vocals without ever overshadowing them. This creates a living stage of sound.
What follows is an unshakable unraveling of the soul. Lines like
“For he is gone, we carry on, the haunting things that I feel take some time to heal”
-reveal not just pain but the courage to expose it. This isn’t just a window into Rose-Trespeuch’s own heartbreak. It becomes a mirror, reflecting the listener’s hidden griefs and aches. His storytelling transcends music. It becomes sonic therapy, unfolding in real time.
The listener is no longer passive. They are a participant in a shared reckoning.
Then we experienced the explosive title track, “Coughing Up Blood.” It throws all restraint aside. Allard’s drums ignite with ferocity, like a room erupting into flame. This is quickly countered by jazz-tinged ghost beats and delicate piano flutterings that momentarily cool the burn. The duality of chaos and precision mirrors the emotional content. Rose-Trespeuch sings so intimately that it feels like he’s whispering confessions directly into your ear. But just as suddenly, the atmosphere shifts. His vocals soar, breaking free with nearly uncontainable force. This balance between control and abandon, intimacy and spectacle, is what makes the track unforgettable. The rhythm swings from gentle syncopation to full-throttle release, evoking a visceral fight-or-flight response. It is a tempest that throws the listener into a dizzying emotional loop. By the final calm, you are left to restore your breath. Something essential has been released. Rose-Trespeuch’s voice is stretched to its furthest emotional edge. Each note extends into a scream, a cry, a final catharsis.
The album closes with “Peace,” an understated yet emotionally resonant piece. Here, Rose-Trespeuch draws back to give us space to land. His sustained notes and delicate phrasing act as a balm, a quiet hug after the storm. The trust built through the journey becomes evident. You no longer listen to his music. You absorb it. Allard's touch on percussion here is featherlight. Baraness’s production emphasizes atmosphere, letting the piano and vocals guide us into closure. By the end, you’re not just admiring Rose-Trespeuch’s musicality. You’re grateful for it.
Coughing Up Blood is not an album made for casual consumption. It is an artistic bloodletting, crafted not for performance alone but to purge, to expose, and to transform. Its brilliance doesn’t lie solely in technique. Rose-Trespeuch’s vocal command and compositional skill are undeniable. Rather, its impact stems from its emotional sincerity. This is music born not of genre but of necessity. With Baraness shaping the sonic world and Allard translating pain into pulse, Coughing Up Blood becomes less an album and more a revelation. It doesn’t just ask you to listen. It demands that you feel. If you crave music that challenges and consoles, that offers both unrest and relief, then this is the body of work you didn’t know you needed. It is beautiful, bold, and deeply human.
'Coughing Up Blood' by Micah Rose-Trespeuch is a staggering masterwork of vocal intensity and emotional depth.
Micah Rose-Trespeuch is more than a boundary-pushing musician. He is a composer of confrontation, unafraid to wield vulnerability as both weapon and invitation.
Classically trained yet radically modern, Rose-Trespeuch bends genre into something unrecognizable but unmistakably authentic. He collaborates not just with musicians but with true visionaries. Julien Baraness, a seasoned producer with an ear for cinematic scope, brings depth and architectural clarity to each track. Gaetan Allard’s work on drums is a masterclass in emotional translation through rhythm. The entire body of work was brought to life at Mattison Studio, where bedroom-born ideas were transformed into towering compositions.
Rose-Trespeuch’s artistry is driven by emotional urgency and his belief that real strength is revealed through the act of feeling. He isn’t performing for applause. He is performing to survive. In doing so, he gives his audience the tools to do the same.
We’re so excited to have found him and can’t wait to hear what Micah Rose-Trespeuch brings to life next.
Make sure to playlist, stream, and share Coughing Up Blood by Micah Rose-Trespeuch.
