We connected with David Luka to talk purpose, power, and the release of his stirring new single "Boycotts and Bayonets"
- STAFF
- Jul 26
- 5 min read
By: Staff
“Boycotts and Bayonets” is a fearless, soul-stirring triumph—boldly written, beautifully performed, and unforgettable.
David Luka’s new single “Boycotts and Bayonets” arrived on July 4 with sharp focus and a message that doesn’t flinch. It’s a release steeped in lived experience, shaped by a connection to place, and unapologetically grounded in truth.
With its striking title and charged atmosphere, the track invites listeners into something deeper than a typical protest song. This is personal, reflective, and sonically bold.
We got together with David Luka for an exciting interview to delve into the stories and happenings behind the making of this and learn more about the artist in "The Cage" Music Blog, and we are excited to share it with you!
Here’s how it went:
Begin Interview:
Hello David Luka, we’re thrilled to have you here for this interview! We've had an amazing time exploring your music and diving into your creative journey. Now, we’re even more intrigued to get a deeper look into both your brand and your personal and professional inspirations.
Q: For the fans meeting you for the first time, is David Luka your given name or a stage name? What inspired you to choose that for your artist persona?
A: David Luka is my first and middle name. I chose it because my father, Luka, inspired my love for music, and he always told me that I should pursue it. He instilled in me a love for all genres of music, which can be seen in my songs.
Q: As a teaser description—if you only had one sentence—what would you tell someone about this song to intrigue them about its meaning and get them interested in listening to it?
A: This is an observational song that relies on my experiences with the working class trying to get their voices heard by organizing. It is also a song that rejects the white supremacy movement and conveys a scene where they are losing amidst protests.
Q: Where do you start the production of your music—i.e., in a home recording studio or with an outside producer? How do you finalize your finished work—self-mixed/mastered or through another source?
A: I wrote my songs over the course of 25 years and even sold a few before deciding to go on my own. The music was recorded at Atmosphere Studios in Montgomery, AL, and Full Moon Studios in Athens, GA. My songs are minimally produced so I can get a raw and authentic sound that people are starting to revisit. I record live with no autotune and often in one take.
Q: "Boycotts and Bayonets" draws inspiration from civil rights leaders like Rosa Parks. How did her legacy influence both your songwriting process and the message you’re conveying in this song?
A: I lived in Montgomery for a year while recording and gigging. I would walk around and view all of the historical sites, which influenced me to write a song about how more progress needs to be made. Rosa Parks' courage and lasting legacy influenced me the most.
Q: Releasing "Boycotts and Bayonets" on Independence Day feels symbolic, especially given the song’s themes of struggle, freedom, and justice. Was the July 4th release intentional, and if so, what message were you hoping to send by aligning it with that date?
A: Yes, it was intentional, as I believe our freedoms and rights are at risk. I was hoping to send the message on our country's birthday that we can rise up and unite as communities to fight discrimination.
Q: As an artist, you’ve said this release represents an evolution in your lyrical sophistication. What specifically has changed in your songwriting approach since your earlier tracks, and how do you feel it’s reflected in “Boycotts and Bayonets”?
A: My writing process has evolved into a more rigorous practice. I collaborate with artists and often write lyrics before music. I've also developed an edgy aspect to the music where there are often double meanings, as I realized those lyrics will be more memorable.
Q: Do you have a favorite song from your early years—something by a well-known artist or band—that you’d love to cover in the studio because it still feels deeply connected to who you are and to the message you're sharing today?
A: I cover the song "Willin'" by Little Feat, and it resonates with my crowds and my inner soul. I grew up dumpster diving in Cleveland, traveled the world, and was fortunate to have some amazing adventures in life. The lyrics also remind me of my times following Phish and the Dead, driving the backroads, dodging all kinds of things just to get to the next show.
Q: How does making music make you feel? Specifically, does this song make you feel the pain these people are feeling, or does it help heal the wounds, or maybe even both?
A: I love playing for crowds to get them dancing, smiling, and thinking. Most fans say that my music grows in them, which I love to hear, as I would also like to leave a lasting impression. My music is also honest and exudes vulnerability. I believe that's what makes it real and memorable.
Q: Outside of music, who or what has had the biggest influence on your personal growth or artistic perspective?
A: David Foster Wallace. I was an English teacher for many years, and I am still an avid reader. His ability to paint a scene with carefully chosen words and a bit of sophisticated satire always resonated with me.
Q: What do you want people to remember most about you after hearing this song and reading this interview?
A: I would hope that people from all walks of life would get the message that there is hope for renewal through organization, communities, and the youth. The lyric "we got children, watching with a smile, now ain't that sweet" was placed at the climax of the song, telling a story of children realizing that supremacy was toppled by everyone getting together to stand up for what's right.
Q: What’s something you’d want to tell the next generation—what do you feel is one of the most critical messages people should be focused on right now?
A: In my opinion, citizens should wake up and focus on uniting. Get out of the house, talk to your neighbors, organize, and take to the streets—and don't give up! You're fighting a system that wants to oppress you, but at the same time, it needs you to keep going. If you make good decisions with your money and time and fight, then it will take time, but the people will eventually win. Don't give up!
Q: We can't thank you enough for sharing these intimate details! So, what's next? Can you give us the inside scoop on your upcoming projects and what fans should be excited about? We'd love to be the first to share the news!
A: I am about to embark on a national tour, and I'm coming back to Cali. I lived in Cali for almost 14 years, and I'm excited to play in San Fran, Long Beach, and San Diego. You can get tickets at bridgingmusic.com and select David Luka from the dropdown.
I also have a little surprise for my fans in October as I'm back in the studio. I'm also going to release a double album called The Blue Collar Blues/Good Grief in the spring of 2026. I've been saving my most raw and gritty songs for the double album. Lastly, I am in talks for a European summer tour in 2026.
David Luka, thank you so much, we appreciate you taking the time to talk to us!
End Interview
We’re happy to have shared David Luka’s exciting journey with you and uncovered such inspiring insights about their creative process.
