Isaac Saenz Releases "LOST IT" and Connects With Us About His Darkest and Most Vulnerable Track Yet
- STAFF
- 1 day ago
- 8 min read
By: Staff
Isaac Saenz’s “LOST IT” is an emotional masterpiece, blending haunting vulnerability with raw, explosive power.
Isaac Saenz is back with his most raw and emotionally charged release to date, “LOST IT.” This new track isn't just another song; it’s an intense ride through the highs of manic love and the devastating lows that follow, delivered with haunting vocals and a production style that demands to be felt. A slow-burning emotional collapse that hits as visually as it does sonically, “LOST IT” is a cinematic experience wrapped in darkness, vulnerability, and undeniable power.
We spoke with Isaac about this pivotal moment in his career, his bold shift towards a darker, more personal sound, and what it was like to channel such raw emotion into his music. From discovering his voice to navigating the vulnerability of putting his heart on display for the world to hear, Isaac gave us a glimpse into the journey of creating something that not only reflects his personal battles but also connects deeply with listeners everywhere.
In the conversation, he opened up about the story behind his name, the vision for his upcoming EP This Should Hurt More, and how he balances emotional depth with audience connection.
What’s next for Isaac? With another single, “Hell,” on the horizon, the road ahead promises more twists, turns, and sonic landscapes that we can't wait to explore. Get ready to dive deeper into the mind of an artist who's just getting started.
Begin Interview:
Hello Isaac Saenz, we’re thrilled to have you here for this interview! We've had an amazing time exploring your music and diving into your creative journey. Now, we’re even more intrigued to get a deeper look into both your brand and your personal and professional inspirations.
Q. We loved “LOST IT.” Your powerful vocal presentation combined with the incredible edits and production created an incredible listen for the audience. When did you first discover your voice, and what moment in your life shifted it from being something personal and intimate to recording with the intention of sharing it with a worldwide audience, setting the stage for the powerful and viable career we’re witnessing now?
A. I first picked it up in middle school with guitar, but I didn’t stick with it. In high school, a teacher pushed me toward choir because I always wanted to sing. That gave me private lessons and let me really explore my voice. The big shift came in college — that’s when I started to realize I could do this and saw others on the same path. Some were new and some were already doing great things. That’s all I needed to bring the dog out of me and think if they can do this I can too.
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Q. Can you tell us how you landed on the title of “LOST IT”? Was the title the first choice, or did it evolve over time during the creation process?
A. Honestly, I say “lost it” so much in the track that it just made sense. I didn’t overthink it — that’s the message of the song, and when you know it’s a good one, sometimes the name just gives itself to you.
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Q. You mentioned that “Lost It” is your most emotionally charged release yet. What was the catalyst for diving into this darker, more vulnerable sound, and how did it evolve throughout the process?
A. I reflected on a specific breakup I regret. Sometimes I lean on that relationship for inspiration because it was the last thing that felt real. It made me want to be better for the next, even though I still wish her the best. She’s still the love of my life in a way, and that fueled a lot of what you hear in “Lost It.”
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Q. The track “Lost It” captures both the high of manic love and the crash that follows. Can you walk us through how you tapped into both the euphoric and painful aspects of that experience in the songwriting and production?
A. I usually go back to that place and let myself feel it again. Writing with Vince Ernst (of Magnolia Park), we’d talk it through and then put it into music. I had to learn how to relive it without it breaking me — that way I could make it real without it dragging me down. I wanted it to feel intoxicating.
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Q. Your sound has evolved from viral covers to this more cinematic, dark alt-pop style. How does it feel to be carving out your own unique lane? Was there a defining moment when you realized you were no longer just covering songs, but truly creating your own?
A. It feels good, honestly. Covers helped me build an audience, but when I started writing my own stuff and people connected with it, that’s when I knew I wasn’t just re-creating — I was building my own sound.
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Q. The cover art for “Lost It” features an anime figure with pink lightning and glowing eyes. How important is the visual aspect of your music to you, and what role does it play in telling the story of the song?
A. Honestly, visuals are cool but I think more about how people connect with music. The art’s a way to set the tone, but it’s really about the feeling when you hit play. For “Lost It,” I wanted something striking that matched the energy, so the anime figure with pink lightning and glowing eyes felt right.
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Q. You’ve described your music as being for the “moments that hit hardest.” What’s the emotional space you find yourself in when you create these intense, raw tracks?
A. I usually go back to a place where I really felt it. It’s hard sometimes because I’m used to holding things in, but writing forces me to let it out. When I’m in the booth it’s like my skin feels heavy and I’m wearing an anxiety blanket that helps me get serious.
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Q.There’s an almost cinematic quality to your music. Do you often think in terms of visuals when you’re working on new material, or is it something that naturally happens as the sound takes shape?
A. To be honest I don’t really think of it that way. Or maybe I do, I don’t know. I just think about how I listen to music and how it moves me. Like, pretending you’re singing on stage in your head, or picturing someone in the crowd the song reminds you of. That’s the vibe I want people to get—mostly I want the crowd to connect and have fun, like all the best performers do.
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Q. The concept behind your upcoming EP, This Should Hurt More, deals with emotional collapse, healing, and finding beauty in the wreckage. Can you talk more about how you balanced the darkness with moments of hope throughout the EP?
A. It’s really about duality. You can’t feel the good without the bad, and sometimes you don’t realize what you had until it’s gone.
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Q. Artists like Joji and Chase Atlantic have influenced your sound, but what are some personal experiences or moments that have directly shaped the music you make today?
A. I’ve always loved all kinds of music — from YouTube niches to mainstream pop, emo, rap, even metal. When I went to Full Sail, I picked up a lot of different styles and just took what fit me. That mix is what shaped my sound more than anything.
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Q. You’ve gone from performing at BET Awards Weekend to now focusing on a more independent, personal sound. How did your approach to music change after such high-profile performances, and what did you learn from those experiences?
A. I was lucky to perform that weekend while I was in a contest I ended up winning. It showed people what I could do and gave me a taste of the life I always wanted. It made everything feel possible when I needed it.
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Q. “Lost It” feels like an emotionally real-time breakdown, almost like a soundtrack to heartbreak. When writing about something so personal, how do you navigate the vulnerability of putting your emotions out there for the whole world to hear?
A. It’s not easy, but if I keep it in, it eats at me. Writing is how I let go. Once it’s in a song, I don’t feel like I’m holding it all by myself anymore. As cliche as that sounds.
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Q. How do you approach the balance between keeping things raw and personal, but also knowing that fans may interpret your music in ways you never intended? Does the connection with your audience influence your writing at all?
A. I try not to overthink it. Once I put a song out, it’s not just mine anymore. Listeners turn it into their own meaning, and that’s sweet.
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Q. Your storytelling in “Lost It” and your upcoming EP feels almost like a journey through emotional collapse. How does songwriting serve as a form of therapy or healing for you personally, and do you see it as a way to help others navigate their own struggles?
A. For me, writing is the only way I can really process things. I feel like we all have a purpose and some find it sooner then others, and some don’t but this helps me feel like I’m doing what I’ve always meant to do — and if it helps someone else too, that’s even better.
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Q. Outside of music, who or what has had the biggest influence on your personal growth or artistic perspective?
A. Honestly, working with Vince has pushed me a lot. He believes in my vision and knows how to bring the best out of me. That kind of support has been huge for my growth. I’m grateful for all the people I met and collaborated with since I took that faith leap out my home town. We all need that winning group but I’m glad I took my time to find my friends. I’ve been burned before but your tribe really attracts your tribe. Personally wanna thank ColorMind (Corey), Josh, Mark, Ian, and Emerson!
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Q. Now that your fans have had a chance to learn more about your project, we want to dive into something that’s just as important—your name. For those meeting you for the first time, is “Isaac Saenz” your given name or a stage name? As we’ve seen, your fans are sure to become deeply invested in your music, and they’ll be curious about the meaning behind everything that makes up your artistic journey. So, when it comes to your artist name, how does it connect with the music you’re creating? What’s the story behind it, and what does your name represent to you and to the fans who are just getting to know you?
A. It’s my real name. I used to go by “gettinga.life,” but I changed it because I wanted people to connect with me, not a character. My biggest cover is still under that name on Apple Music because of distributor issues, but everywhere else it’s under Isaac Saenz. It’s a little confusing sometimes, but at the end of the day I go by my actual name because that’s who I am.
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Q. With “Hell” already on the horizon, how do you see your upcoming singles leading into the broader narrative of This Should Hurt More? What can fans expect in terms of emotional or musical shifts as the EP unfolds?
A. The EP’s still in the works — I’ve got one last track to finish. But in the meantime, I’ve got surprises coming that live in the same ballpark, just unpredictable.
Isaac Saenz, thank you so much, we appreciate you taking the time to talk to us!
End Interview
We’re happy to have shared Isaac Saenz’s exciting journey with you and uncovered such inspiring insights about their creative process.