her picture release 'Feed Me Hope' and connect with us to unpack the mythic power behind their boldest work yet
- STAFF
- Jun 21
- 7 min read
By: Staff
“Feed Me Hope” is a staggering, soul-scorching triumph—cathartic, visionary, and sonically fearless.
A Stirring New Release Is Here, and You’ll Want to Hear Every Note:
her picture release the EP Feed Me Hope
Something powerful is rising out of Scotland’s alternative scene. A sound that weaves ancient symbols with raw emotion, cloaking heavy truths in shimmering textures and cinematic atmosphere. It’s not just music, it’s a descent, a reckoning, and a quiet resurrection.
The project unfolds like a myth told in six chapters. Each track draws from something older than memory but feels entirely of the moment. Voices linger like echoes, guitars cut through like heat, and beneath it all is a story of letting go in order to heal.
We got together with the artists behind “Feed Me Hope,” the new EP from her picture, to talk about the mythology that shaped it, the emotional journey behind the sound, and what comes next for a band already gaining serious momentum.
BEGIN INTERVIEW:
Hello, her picture, we’re thrilled to have you here for this interview! We've had an amazing time exploring your music and diving into your creative journey. Now, we’re even more excited to get a deeper look into both your brand and your personal and professional inspirations.
Q. Can you introduce the members of her picture and share what each of you brings to the band in terms of roles and creative input?
A. Hello! Our lineup consists of lead singer Anny Tahaney, bassist Catriona Reid and drummer Finlay Smith. Each of us is a primary songwriter and producer in the project too.
Q. “Feed Me Hope” is inspired by the myth of the Five Rivers of the Underworld. What drew you to that specific mythology, and how did those themes of oblivion, hate, fire, wailing, and woe shape the emotional core of the EP?
A. It was originally Cat who brought the concept to the table after it came up during her dissertation research. Initially, we were attracted to using the myth as a vehicle to explore themes of healing and unpacking trauma. By using the corresponding motifs, our adaptation of The Five Rivers focuses on ego-death, rather than literal death, with each track tackling a different stage of this process, through rage, despair and eventual peace.
Q. This record dives into the depths of ego-death and rebirth. Was there a personal journey of transformation behind this concept, or did the myth itself guide you into those introspections?
A. It was a bit of both to be honest! ‘Feed Me Hope’ was written during a period where the three of us were actively working on ourselves and our mental health, so that naturally bled into the songs and moulded the emotional arc of the EP. However, using each theme as a narrative lens was helpful in reframing the subject matter being discussed in each song and led to personal breakthroughs, as well as musical ones.
Q. There’s an ethereal intensity across the EP — screeching guitars meet shimmering synths and haunting vocals. How did you balance chaos and beauty when building the soundscape for this project?
A. Playing with that kind of contrast has always been a core feature of our sound, and it’s something we naturally gravitate towards. For us, having a broad soundscape that is rich and diverse helps bring impact to each track, and our goal when writing is always to make the listener feel as much as possible; whether that’s unsettling them with the eerie sounds of ‘Styx’s Curse’ or instilling a sense of euphoria with ‘Big Girl’, creating our own immersive sonic landscape is the priority.
Q. This EP feels like a film score in parts. Was there a visual or cinematic reference that helped you build the sonic world of “Feed Me Hope”?
A. World-building and songwriting go hand in hand for us. Often, we’ll use a lot of visual language during the writing process, with phrases getting thrown around like, “This section should feel like running in the rain” or, “I need that synth tone to feel like heavy fog.” It seems to be how we naturally navigate mood and feeling during the initial demo process! In terms of visuals, we were very inspired by the uncanny and body horror imagery, as well as natural settings.
Q. The EP’s progression feels intentional, like chapters of an emotional arc. Did you map the tracklist with a specific narrative order in mind from the start, or did it evolve organically?
A. From the start, we knew that we wanted to utilise the existing lore of the rivers to craft something that was constantly emotionally adapting on itself and moving towards an endpoint of peace and resolution. We wanted to chronicle our experience of growth and healing so, while the intention was there, the arc is still organic and informed by our changing attitudes towards ourselves and our mental health. Also, the tracklist was essentially written in the order it’s presented on the record, so the progression is very tangible to listeners.
Q. How do you typically divide creative roles within the band? Is there a clear leader when it comes to writing, or does each track unfold as a collective expression?
A. We’ve always had equal creative contribution when it comes to the songwriting process. We’ve been writing together since we were in school, so we’ve developed a real synergy with our perspectives and ideas, and are always on the same page. We really value our dynamic, and feel creatively seen and respected in each session. With that being said, we also have our own individual strengths that we play to; for example, Finlay is an amazing producer and has extensive music tech knowledge, so he’s able to elevate Cat and I’s initial ideas.
Q. You’ve drawn comparisons to Ethel Cain, Daughter, Aurora, and Radiohead. Do you embrace those associations, or do you see your sound evolving in a totally different direction?
A. We’re always keen to continue evolving our sound and would never want to remain stagnant. Those influences represent the essence of what we enjoy most as listeners, which is interesting production, storytelling and honest/emotive songwriting. For that reason, that lineup of artists will most likely always have a great impact on our creative identity.
Q. “Feed Me Hope” feels like a statement, musically and emotionally. Would you say this EP marks a new chapter in her picture’s identity?
A. Definitely. Crafting a concept record as an independent outfit was a big undertaking, and we think it showcases not only our work ethic and drive, but our commitment to our artistic vision and craft. We want to continue being more and more ambitious with every body of work we release.
Q. You’ve received glowing praise from BBC Introducing and the press, but what moment or piece of feedback made you feel that it was fulfilling in terms of a milestone?
A. We’ve been lucky to receive some great feedback over the years, but receiving an amazing review of ‘Can’t Think’ from CLASH Magazine was a huge celebratory moment. It was the first single we released from the EP, and already receiving that level of recognition in those early campaign stages gave us a morale boost and eased our release-anxieties going forward.
Q. With your headline show at Stereo coming up, how do you plan to translate the epic, layered feel of “Feed Me Hope” to a live setting? Will there be visual or thematic elements tying back to the EP?
A. We’ve got a whole production planned for Stereo, and we want this show to be as impactful as possible to match the scale of the tracks. As this is a concept record, it’s really important that the context behind each track is communicated visually, so that will be a huge part of our set. It’s taking up a lot of our time and energy, but we’re so excited and can’t wait.
Q. For a listener new to your music, which moment on “Feed Me Hope” would you point to as the soul of the record, the moment everything emotionally clicks?
A. The emotional arc reaches its crescendo during ‘Reasons I Tried’. There’s so much raw, unfiltered feeling in that track, but it’s also the site of the EP’s epiphany. Things always have to get worse before they get better, and this song is an example of that; by bringing all your deepest insecurities to the surface, you can finally be free of them and no longer fear them. For that reason, ‘Reasons I Tried’ embodies the soul of ‘Feed Me Hope’, encapsulating both the dark and light themes present in the EP.
Q. What part of the music-making process do you find the most stressful, whether it’s the creation, the actual release date, or something else?
A. We think most independent artists would agree that the actual creative side is the least stressful. Sadly, musicians have to take on a multitude of roles; from PR agent, to tour manager, to booking agent and beyond. This is very tiring and takes time away from the actual writing of the music itself, so it’s the most stressful element for us.
Q. We can really feel your energy and positive aura in your music. What is one surprising fact about you that fans might not know?
A. For some reason, a lot of people have the pre-conception that, as people, we’re as serious and moody as our music, which is so funny! We’ve had a few interactions recently where people have been like, “Wow, you guys are such sweethearts, but your music is so heavy, I wasn’t expecting that.” So that seems to surprise people!
Q. Thank you for sharing these personal details with us. What’s coming up next for you? Are there any exciting projects in the works that fans should watch out for? We’d love to help spread the word!
A. All of our energy right now is going into our Launch Show on 27th June, and after that our plan is to keep the live energy going for the rest of the year. We’re currently in the midst of planning our first UK and Ireland tour, and writing more new music which will be on its way to you in the New Year. We’re also aiming to have some EU shows under our belts in early-2026 too, so it’s all very exciting!
her picture, thank you so much! We appreciate you taking the time to talk to us.
End Interview
