With “To the Ones (feat. Sven Kuhlmann),” Neodym Claims The Night In A Bold, Soaring Rush Of Power And Release
- STAFF
- Dec 23, 2025
- 3 min read
By: Staff
“To the Ones (feat. Sven Kuhlmann)” is a fearless, electric release that turns raw emotion into pure dancefloor power.
Neodym came across our radar at exactly the right moment, and from that first encounter, it was clear this artist operates on a different frequency. There’s an instinctive confidence in her presence, a sense that every choice is intentional and charged with purpose, and that energy doesn’t just introduce itself; it pulls you forward and refuses to let go. She doesn’t just arrive with something bold and fresh; she expands on it, pushing far past expectations and turning a strong impression into a lasting one. “Neodym doesn’t follow the moment, she creates the moment and invites everyone else to step inside it.”
“To the Ones (feat. Sven Kuhlmann)” begins with a captivating, exhilarating rhythm that wastes absolutely no time getting your blood pumping. The flowing synth textures glow with an electric intensity that practically demands movement, and before you know it, you’ve already given in. Following that surge, Neodym enters the soundscape with a powerful, passionate delivery that feels both commanding and intimate. The flow and cadence of her velvety voice slide in and out of the production like a living conversation with the beat, and then, with a whisper that feels like a warning, we hear:
“I might get drunk tonight / cuz the feelings coming on too strong”
From there, the song builds beneath her, its force expanding like air being pulled into a storm, the beat growing denser and more insistent until you feel that unmistakable tingling all over your body. “To the Ones” doesn’t ease you in; it sweeps you up and carries you exactly where it wants you to go.
As the energy continues to rise and we hear:
“Raise a glass and make a toast”
the atmosphere becomes fully immersive, wrapping itself around you. Then comes the line:
“To the ones we hate the most”
And suddenly everything shifts. Images of (that bitch) and (that asshole) flash through your mind, and the song takes on an entirely new dimension. In that instant, Neodym takes on a new meaning too, reframing the act of getting drunk and making a toast into something cathartic, empowering, and sharply self-aware. Taking the crown as a new queen of the dancefloor, she transforms shared frustration into collective release, and it feels incredible. “With ‘To the Ones,’ Neodym turns unspoken feelings into a full-bodied celebration.”
With huge, soaring momentum, this pulsing force breaks hearts open while releasing emotion, giving “the ones we hate the most” a real place to exist, process, and ultimately move past. What follows is an emotional surge that feels both triumphant and liberating, channeling intensity into something almost healing. There’s a sense that every beat is carrying weight, and every vocal inflection is there to let something go. “Neodym makes space for emotion without ever losing the thrill of the dance.”
We never could have imagined this was where the song would lead, and that surprise is part of what makes it so powerful. What stands out most is Neodym’s passion and commitment to the moment. Her delivery feels theatrical in the best way, like a Broadway performance disguised as a nightclub anthem, pulling you in with familiar energy before elevating everything to another level entirely. She drops what is undeniably a fire track, one that feels destined to live on dancefloors everywhere, sampled by DJ's and celebrated as people around the world raise their glasses, sometimes even directly to “The Ones We Hate The Most.” “Neodym proves iconic instincts don’t wait for permission, they arrive fully formed.”
On top of all that, the production plays a huge role in why this song hits as hard as it does. The engineering is dialed in with real care, giving the track a clean, immersive feel where every detail matters. The vocals cut through sharp and commanding, while the mix remains beautifully balanced, allowing each element its own space without ever losing cohesion. Everything fits together naturally, amplifying the emotional and physical impact of the track. “The production on ‘To the Ones’ doesn’t just support Neodym, it elevates her.”
With a release this strong, it’s impossible not to feel that Neodym is headed somewhere special. This is the kind of work that signals momentum, vision, and a clear artistic identity, and it leaves us genuinely excited for what comes next. We’ll absolutely be keeping our eyes and ears open for more from this compelling artist. “Neodym isn’t just arriving, she’s already moving forward at full speed.”
