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TOSPACEWEGO Triumphs With Stunning New Single “Lives I've Wasted Willingly”


Man with yellow glasses smiles, wearing a patterned blue shirt and watch. Pink and orange gradient background sets a cheerful mood. TOSPACEWEGO - The Cage, a music blog powered by Cage Riot
 Photos provided by: TOSPACEWEGO

By: Staff


We came across the profile of the artist TOSPACEWEGO and their latest release, “Lives I've Wasted Willingly,” and dove straight into the official lyric visualizer—a striking and layered piece of work, creating an immediate and immersive experience.


From the opening moments, there’s a strong sense of artistic clarity and deliberate emotional storytelling. The visual component, which follows a reverse movement starting through a parking structure, sets the tone for a composition that feels introspective and subtly disorienting.


The instrumentation begins delicately, with smooth transitions and a mellow groove that carries both softness and conviction. We were drawn in by the firm yet understated drum patterns and the spatial, reverberant guitar work that chimed with a haunting precision. These sonic elements come together to mimic the backwards momentum of the visuals—both hypnotic and contemplative. And while the aesthetic and mood feel rooted in Nashville’s creative spirit, there’s also a sense of emotional alienation that lingers, as if navigating the familiar while slowly becoming unrecognizable within it.


This dichotomy builds beautifully into the vocal entry, which is introduced with a short, poignant violin phrase—a subtle gesture that adds immediate depth. That violin acts as a pivot point, transitioning us into a lyrical world that’s raw, obsessive, and unfiltered. When the first line drops:


“Lives I’ve wasted willingly / getting you to notice me”


—the impact is instant. It’s a moment where the listener is pulled into a quiet chase, trying to keep up with the emotion, to anticipate the destination of this narrative. And that pursuit is what makes the track so compelling. The best songs don’t hand everything over; they invite you to earn it. TOSPACEWEGO does exactly that. The following line:


“Seconds slowly killing me / getting you to notice me,”


continues that emotional unraveling, delivered with a tone that feels simultaneously vulnerable and assured. There’s an honesty here that doesn’t try to be perfect—it just is—and it gives the vocal a recognizable, branded quality. These are the kinds of voices that stick in your mind, voices you can pick out from a distance. It’s the mark of someone with a distinct sonic identity.


As the visualizer continues its backward drift through a blurred cityscape, the audio intensifies. Lyrics like:


“Shards penetrate my feet / pain so cold I forgot to bleed”


hit hard—not just for their content, but for the way they’re presented. They land with an offhanded kind of brutality that feels deeply human, sarcastically recounting something painful so casually. That contrast—the emotional weight buried in plain delivery—gives the track its depth. You don’t just listen to the lyrics, you absorb them. There’s something magnetic in that duality. The layering of production elements—syncopated drum fills, tasteful guitar runs, and the purposeful reintroduction of that violin—all push the song forward in waves. Each movement adds dimension without ever crowding the core emotion. There's also a seamless fluidity in the way vocals stack and interweave—like thoughts spiraling, chained to each other in a stream of reflection. The line:


“Thoughts often, gently marked / by the side of you in his arms”


feels like a quiet collapse—painful, understated, and completely devastating.


And just when you think the song has revealed all its secrets, a warm, unexpected horn solo breaks through. It’s followed by a soaring, 80s-tinged guitar solo that feels like it emerged from a memory. These moments don’t distract—they elevate. They add emotional texture and replay value. When the vocals finally return, their absence has made us crave them. That’s the magic here. The absence isn’t silence—it’s tension. It’s withdrawal. And when they come back, it feels like a return to something we weren’t ready to let go of in the first place. That feeling—of needing more—sticks with you. TOSPACEWEGO doesn’t just deliver a song, but creates moments, and we’re completely hooked.


NAME - The Cage, a music blog powered by Cage Riot

Pictured: Jackson Pollard (Guitar), Charlie Smith (Piano), Zach Breeden (Drums) and Griffin Towe (Bass)



A heartbreakingly masterful release, "Lives I've Wasted Willingly" cements TOSPACEWEGO as an uncompromising visionary with an unshakable artistic voice.



Produced and directed by Charlie Smith, “Lives I've Wasted Willingly” is not only a brilliantly composed trackbut a carefully executed visual and emotional experience. The performance is elevated by the exceptional contributions of Jackson Pollard on guitar, Charlie Smith on piano, Zach Breeden on drums, and Griffin Towe on bass—each adding their own expressive dimension to the recording. Fans of live instrumentation paired with thoughtful production will be drawn to its sincerity, and those seeking depth in both sound and story will find something unforgettable here.


TOSPACEWEGO, the artist/producer moniker of Charlie Smith, continues to define his sound not by genre but by emotion. With a background that merges the analog warmth of live instruments with modern sonic exploration, TOSPACEWEGO creates music that challenges categorization. His work draws from R&B, jazz, indie rock, and atmospheric electronica—but the true thread is emotional resonance. Each track is shaped with intention, designed to reflect not just a mood but a specific emotional palette.


With “Lives I've Wasted Willingly,” recorded at the cutting-edge Aimeeland Studio in Brentwood, TN, he expands his sonic universe through a collaboration with seasoned musicians. The presence of a live band brings a tangible authenticity to the recording, allowing each note and inflection to feel grounded and alive. TOSPACEWEGO describes the process as deeply personal, from the first chord played alone to the final product shared with the world. That level of ownership and connection is apparent in the music. His vision is not about fitting in—it’s about communicating something that lives outside typical boundaries. Every release feels like a scene from a larger dream he's inviting us into.


You can find this release on any major platform, make sure to playlist, stream and share “Lives I've Wasted Willingly” by TOSPACEWEGO.









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