Spinors Unleash Monumental Power And Fearless Truth With The Explosive “Choose To Believe”
- 🌟 Miles Carter
- 59 minutes ago
- 7 min read
By: Staff
The Cage: We got together with Spinors for an exciting interview to delve into the stories and happenings behind the making of this and learn more about the artist in "The Cage" and we are excited to share it with you!
Here’s how it went:
Hello Spinors, we’re thrilled to have you here for this interview! We've had an amazing time exploring your music and diving into your creative journey. Now, we’re even more intrigued to get a deeper look into both your brand and your personal and professional inspirations.
“Choose to Believe” is a song with intensity and power packed into every moment. The visuals and excitement feel unending. With some of the biggest guitars we have ever heard, a terrific message, and vocals that truly pack a punch, Sergie Code has assembled what is quickly becoming a powerhouse group of players making waves. The drums and bass are equally powerful, and this song lays out so much of the world today while being captured in a video unlike anything we have seen before. With one band delivering two things we can honestly say we have never seen before inside one song, we had to grab them and learn more.
Q. Spinors began when you, Sergie Code, took a massive personal leap, leaving Buenos Aires behind and moving to London to bring your music to a bigger audience. That sounds simple when spoken, but we know it is definitely a huge undertaking. When you look back at that decision now, what part of that sacrifice shaped the identity of Spinors the most? What was the hardest part, and would you change anything about how you did it?
A.It’s actually not the first time I’ve sacrificed everything and left it all behind. I was born in a city called Córdoba, and at 23 I moved to the capital of Argentina, stepping away from my family and starting over, so this was the second time I made a decision like that. That feeling of not having a home, of not having a place to call home, is exactly what our song WALK ALONE talks about, which was the first single we released, and it really reflects that experience. Honestly, I don’t regret anything, I’m very happy here in London, and I feel like I needed to take that next step
Q. The music video for “Choose to Believe” has so many incredible moments, and even the first few seconds bring on so many questions. How did you pull off that massive street, bridge, and city backdrop aesthetic? It looks like Spinors took over the whole town. Was that a difficult obstacle to overcome, and what was the reaction when you first said, “Ok, let’s just shut the whole town down”?
A.It was actually much harder to achieve that effect than it looks. First of all, we went out really early in the morning to avoid crowds, and for the shots in Greenwich we specifically went on a bank holiday. We did a huge number of takes and only used the parts where there were no people or cars in frame. It was far more difficult to pull off than it might seem, but we’re really happy with how it turned out. London already has a strong Victorian foundation, and we chose locations that could bring out that steampunk-like reminiscence that the band needs in terms of its aesthetic identity. And of course, our next step is to film in Edinburgh, where I think the magic would be on a whole other level
Q. The guitars on “Choose to Believe” are BIG. Honestly, they are some of the biggest and most powerful we have ever heard, and after thousands of songs, we have to ask if you are willing to spill some secrets. How did you manage to make the guitars feel like an absolute tsunami of sound?
A.The secret is that I already had the music and the sound fully formed in my head, but the real challenge was bringing it into reality. My sound engineer, Nico Resnikof, had a tough time with me as I made him spend hours unloading gear and trying out different guitars until we finally reached the sound I had in mind. In the end, we recorded using a Mesa Boogie IIC and a rather old Les Paul Custom that we managed to get from the studio’s stock, and that’s where the power the song needed really came through. Honestly, Nico is a genius, an amazing sound engineer, and thanks to him we can all enjoy such a great final result
Q. The energy between the bandmates is immense. It is truly obvious that Spinors is a team in it to win it, and you all clearly live what you do. How did those actual connections happen between you, Gabe, and Angie? Was that something you pushed for, did it happen naturally, or was it something else entirely?
A.Honestly, yes, everything came together very naturally. I met Gabe because we used to play together in a metal Britney Spears covers project, and we immediately felt that we had great chemistry as musicians. With Angie, we shared several jam sessions at The Great Southern, where we played a lot of classic songs that we both love, and from there we eventually decided to create something of our own. They both joined my rather ambitious idea of building a band with original music and a very defined aesthetic, and it really feels like they enjoy it just as much as I do, so I couldn’t be happier about it haha
Q. “Choose to Believe” pushes back against disinformation, manipulation, and the way people can be convinced they own “the truth” while being moved by powerful interests. What do you hope people take away from the song when they experience it for the first time?
A.One of the main reasons I make music is to transmit feelings and ideas, and I think that in recent years rock has lost a lot of that spirit of questioning the status quo, challenging those in power, being politically incorrect, saying uncomfortable things, and pushing people, especially younger generations, to reflect. We all know that things are not working properly, but we often stay comfortable, and I believe we need to step out of that and rethink how to improve the system we live in. I don’t see myself as anti-system, but rather as someone who enjoys optimizing things and rethinking solutions that actually fit the times we are living in. I believe raising the intellectual level is essential, and the deterioration of education together with the negative impact of social media and its instant gratification is making people think less deeply and become more easily influenced
Q. Your sound, look, and message are all incredibly unique, and honestly, we cannot find an easy comparison in our minds. Were there any artists or bands that influenced Spinors, or maybe something earlier in your life that first sparked your love for music?
A.Yeah, the truth is we have so many influences and so much love for different musical styles that it’s hard to narrow it down to just a few. If we focus on rock, we could say some of our biggest influences are Alice in Chains, Black Sabbath, Soundgarden, and Pantera, as well as musicians like Slash, David Gilmour, and many others.
The steampunk aesthetic side of things is probably more influenced by video games, which also have incredible music. In fact, I originally got into metal through the DOOM soundtrack, which “borrowed” a lot of riffs from the 90s.
Q. With Gabe on bass and Angie on drums joining for the 2026 UK tour, and more than 30 live dates ahead, what are you most excited for people to discover about Spinors when they experience the band live for the first time?
A.We’re doing short shows with the intention of leaving people wanting more, where three steampunk-dressed figures come on stage, play five or six high-impact songs with a lot of energy, and deliver lyrics that make people think, and then we just say “see you next time” and leave the audience wondering what they just experienced. Our idea isn’t to appeal to everyone, but to find our niche and let the people who connect with it join us, while making sure that whoever sees us for the first time gets hit with something strong and memorable. I think we’ve managed to achieve that so far, and we hope to keep finding and refining our best tools as the shows go by
Q. You definitely do not just dream big, you accomplish big. That makes us want to ask what the next plan or idea is, and what you can reveal to us. We can only imagine it is more incredible stuff. Is the live circuit the desire, more releases? Or maybe, knowing you something normally considered unimaginable?
A.Right now we have a pretty simple plan, which is to tour across 2026 and 2027 in different cities in the UK and Europe, performing our short show, trying to appear in all kinds of media, and consistently uploading content from our live performances on social media so more and more people can discover us.
At the same time, we plan to release one song per month, each with its own music video, and that’s where we’ll really add more of the “magic,” being more ambitious and aiming to surprise people.
The next natural step for the band, once we get through this initial exposure phase that we need in order for the project to grow at its early stage (the band is only two months old), would be to incorporate improvisation sections and add dancers and actors into the show, which is something I personally love, bringing a more theatrical dimension to the performance. It’s ambitious, but I see it as a natural evolution for the band
The Cage: Spinors, thank you so much, we appreciate you taking the time to talk to us!
End Interview
We’re happy to have shared Spinors’s exciting journey with you and uncovered such inspiring insights about their creative process.
