By: Staff
Saves the Witch releases their latest album "Fine Machines," blending ethereal melodies with hard-hitting riffs for an unforgettable listening experience
Saves the Witch's “Fine Machines” proves that music and its embodiment have their own message beyond the lyrics, describing themselves to the listener when performed beautifully—and this album truly is. Saves the Witch delivers 11 songs of beauty and messages, and we wanted to share our take on some of them. When we started with “I’m Not Ready,” we were enthralled by the beautiful titillation of the electric guitars that have forever been embraced by rock ‘n’ roll, pop, and even orchestral-style performances. This performance is beautifully delivered and immediately captures your attention, allowing you to just sit back and enjoy the beautiful harmonies. It’s incredible how these guitars almost give you the sensation of an organ, with notes that carry on for what seems like forever—truly the beauty of this song.
Jumping down to track three, “She Dances with Knives,” we have a very emphatic drum beat, filled with an almost hyperactive tapping of beats that absolutely keeps you fixated on this track. When the guitars strike, they come hard with a heavy metal, almost bass fusion that roars and freezes you like a deer in headlights. As they rage on, you can’t help but soak in the melody. But the song manages to pull its own interlude by allowing itself to return to its original state of musical arrangement. It’s impossible not to be on edge, waiting for it to return, but as it does, it comes out at you like a tsunami—feeling louder and more powerful than the first time, satiating your need for this bite that the guitar has on your ears.
“We Are the Virus” is as exhilarating a title as the song itself. Without a doubt, the message leads you to believe that humans ultimately walk the Earth only to destroy—and this song carries a very cinematic, almost superhero-style beat and magnetism that makes you think that our protagonist character is ready to save the world from ourselves, possibly? One of the things about these songs by Saves the Witch is that you can also interpret the narrative and allow your own expectations to be met by the way your mind extrapolates the song. The solo on this one is definitely badass.
“The Hill We Die On” has a screaming guitar introduction and a sort of guitar-laden harmony that gives a sensation of sadness. It’s a terrific technique to stretch the guitar sounds out, giving the feeling of your mind bending. When the big guitars strike, it’s definitely powerful. This song absolutely sings to you, and you can hear it if you just sit back and listen.
We had a feeling Saves the Witch was going to bring us a heavy, artistic beat, and we were not disappointed. “Queen City” has an almost slowed-down marching band beat with a layered guitar that gives you a sensation of relaxation. The guitars are unrelenting, yet relaxing. True to the style of Saves the Witch, the guitars explode just past the halfway point, bringing an absolute tornado of music with the most powerful and bold track so far. This one might very well be our favorite.
“Bring Me to the Everdoor” has a Pink Floyd styling to it—that unstable, listless sensation. One might feel a sense of relaxation after a long day. It’s easy to get very fixated on this track, as it’s definitely got a beautiful glow to the guitars. Saves the Witch delivers a beautiful vocal performance here, with a deep and gritty voice that perfectly aligns with and matches up with such a beautiful group of creative songs. They adorn this beautiful instrumental performance.
Saves the Witch: An Immersive Musical Journey with "Fine Machines
Saves the Witch, a project from Southport, NC, led by the multi-talented Eric Maynes, blends genres like Post-Rock, Post-Metal, Art Rock, Lofi, and blues into a primarily instrumental sound. The band's latest release, Fine Machines, dropped on September 26, 2024, and is already making waves with its eclectic style and rich musicality. This album is the third full-length release from the project, which evolved from folk-acoustic roots into a more instrumental focus during the pandemic, embracing themes of unity and acceptance through their art.
Eric Maynes, who acts as the writer, arranger, performer, and producer, has crafted an album that emphasizes contrast in dynamics. Fine Machines offers a range of moods, shifting from "heavy to soft and slow" throughout its tracks. The music relies on a core trio of drums, bass, and guitar, with a heavy emphasis on guitar pedals for creating a wide array of effects. These effects range from “almost synth-like” sounds to gritty, “heavy metal” tones, which make each track feel like a new adventure.
Saves the Witch has garnered a steady following over the years, earning airplay on indie stations. Their softer songs, which have found a place in meditation and yoga playlists, contribute to the project’s versatility. Fine Machines is described as ideal for study playlists, workouts, and those who appreciate primarily instrumental music. It invites listeners to explore its diverse sonic landscape, making it a go-to for moments of introspection and focus.
Recorded entirely in Southport, “Fine Machines” delivers a “mesmerizing collection of tracks” that offers both intensity and tranquility. The album captures a journey of introspection, providing “a journey of introspection and connection that resonates long after the music ends,” cementing Saves the Witch’s place in the instrumental rock scene. Whether it's the meditative tones or the powerful, immersive soundscapes, “Fine Machines” promises a listening experience that lingers.
You can find this release on any major platform, see below for links to take you straight to some of the profiles. Make sure to playlist, stream, and share "Fine Machines" by Saves the Witch.
Check out this latest release and listen to more of Saves the Witch on Spotify & YouTube.
コメント