Nate G Connects with Fans in Revealing Interview About New Album Release 'Me Myself and I' and His Genre-Defying Sound
- STAFF
- Sep 3
- 9 min read
By: Staff
'Me Myself and I' is a mesmerizing anthem of resilience that will leave you speechless and inspired.
Nate G’s highly anticipated album -Me Myself and I- is set to redefine introspection in music. A captivating blend of lofi, alternative pop, and hip hop, the album explores the deep, often dark places of the soul that most artists shy away from. We recently spoke with Nate G about the emotional rollercoaster that led to the creation of this raw, unfiltered project. An example of a standout track, “Shine Bright,” is a haunting anthem of resilience that invites listeners into a world of quiet strength amidst chaos.
In our conversation, Nate revealed how the album’s concept draws from his personal battles with isolation and self-doubt, and how each track serves as a window into the most vulnerable parts of his life. We dive into the inspiration behind his genre-blending sound, the therapeutic role of music, and what it means to truly be in control of one’s art. From the surreal cover art to the unspoken emotions woven into every lyric, -Me Myself and I- promises to be a journey that fans won’t forget.
Get ready to hear about the making of Me Myself and I, what’s next for the artist, and much more in our exclusive conversation with Nate G.
Here’s how it went:
Begin Interview:
Hello Nate G, we’re thrilled to have you here for this interview! We've had an amazing time exploring your music and diving into your creative journey. Now, we’re even more intrigued to get a deeper look into both your brand and your personal and professional inspirations.
Q. You’ve said Me Myself and I is about learning to sit with yourself in the dark. What was it about this specific moment in your life that inspired this album, and how does it compare to other creative phases you’ve gone through?
A. The album focuses on a time in my life where I pushed a lot of meaningful people away. Sometimes things don’t sink in until you’ve already drowned, it made me realize how I hadn’t really kept up with my relationship with myself. Sounds stupid on its face but I figured what better way to get to know myself again than to make an album all alone.
Q. You’ve managed to blend lofi, alternative pop, and hip hop in a way that feels completely fresh. How do you approach genre blending without losing your own artistic identity? Is there a particular genre you’re drawn to more during different emotional phases?
A. It’s weird to me because the genre blending isn’t on purpose. Trust me last thing I want is breaking my head over such a simple thing like picking the genre of a song I just made 😂 Luckily it seems like new genres are being listed on music sites all the time so hopefully one day I can identify with one. I know some may consider that a messy or disorganized way of doing things, but that’s the story of my life.
Q. Your music is deeply personal, especially with tracks like "Bringing Up My Past" capturing intense feelings of heartbreak and overthinking. How do you separate your emotional self from your art when diving into such raw subjects?
A. It’s too difficult to separate the two so I don’t. I make the music based on my feelings and decide whether or not it’s appropriate for public consumption when it’s time to decide but I don’t let those thoughts interfere with the creative process. I understand these songs are about real situations involving real people, and I respect everyone’s privacy, so you’ll never hear me be too specific. I’m not that kind of guy.
Q. You’ve mentioned that your influences include Nas and Timbaland, two icons with very distinct sounds. What specifically about their work has impacted your style, and in what ways do you actively try to avoid sounding like them while still drawing from that inspiration?
A. For Nas it’s his subject matter, he’s able to make you feel like you know you could do better if you cut the bullshit. Tupac’s music has the same kind of affect on me. For Timbaland it’s his versatility, he can go from DMX to Justin Timberlake to Drake seamlessly. I hope one day I can get the respect he gets across a variety of genres.
Q. Being a self-sufficient artist who writes, produces, and records your own music seems like both a blessing and a challenge. What’s the most important lesson you’ve learned about yourself through the DIY process, and how does it influence how you approach new projects?
A. If im being honest the only blessing is I save money. But that’s about it. It’s a lot more challenging for me because I never got to form any relationships from collaborating w other artists
Q. The album cover art for Me Myself and I features a surreal, hand-drawn figure. How does the art relate to the themes of the album, and was there a particular moment when you realized the cover needed to reflect this sense of vulnerability and solitude?
A. So when I finished the album it was hard for me to predict who would like it which sucked, how do you promote something without a target audience in mind. So I kept the objective simple: provoke curiosity organically without giving anything away. I feel as if I was able to accomplish that but I could be wrong.
Q. “Shine Bright” feels like an anthem for emotional survival and resilience. Was this song a moment of self-reflection for you, and how do you think it will resonate with listeners who might be struggling with similar feelings?
A. It was a moment of self reflection but not in the way “Expectations” Or “All Alone”was. Those were reflecting the past where “Shine Bright” was a reflection of my present. If someone is dealing with something heavy, I hope this song can speak to their courage. Hopefully it empowers them to acknowledge the issues and take action in a healthy way.
Q. You’ve described the album as inviting listeners into your private world. What part of that world do you think is most misunderstood by fans, and how does this project help bridge that gap?
A. It feels like I shared feelings about love at a time nobody wanted to talk about love. Whether or not it bridged the gap I’m not too sure but the “single and independent” movement is what’s wrong with the world. Life should be about love and family, not cars and clothes. Someone may listen to this project and think I hate love but I think the world could use more of it.
Q. Given the personal nature of your music, what is your relationship with vulnerability in your art? Do you find it empowering to open up, or does it require more courage each time you release something this intimate?
A. I was always too scared to release music because of what people would think. But then that fear would turn into resentment towards myself for not speaking up. It became a struggle, so I decided I could live with someone having no interest in what I have to say, but I couldn’t live with myself having never said anything. That’s what it comes down to for me.
Q. With a track like “All Alone,” there’s a rawness that feels like it could be therapeutic for both the artist and listener. How much of that song came from your own experiences with loneliness and heartbreak? And do you see music as a tool for emotional healing?
A. The whole song was based off of real experiences so music is my therapy. But I feel its effects are felt instantly as a listener. As a creator it can get uncomfortable saying things you don’t want to think about, but it becomes therapeutic when you put it out and begin to get comments or messages from people that were able to take something from it.
Q. Your album explores themes of isolation and self-doubt, but there’s also a quiet strength in it. Do you think there’s a way to be at peace with chaos and uncertainty, or is it something that you constantly have to reconcile within yourself?
A. I blame my upbringing honestly lol (sorry mom, sorry dad). My mom was pregnant with me at 16, and dad split when I was 5. Attending over 20 schools between South Florida and Massachusetts as a kid was chaotic. So I guess there must be some form of peace in familiarity because life is chaotic right now still but overall I’m happy and at peace.
Q. As a DIY artist, you clearly embrace complete creative control. How do you know when a song or an album is truly finished? Is there a point where you let go of perfection and accept the piece as it is?
A. Yes. Ive had struggles with that but the truth is there’s always gonna be more you want to say. When that happens to me I go within and keep it real with myself. Maybe it’s a bad song, maybe you’re off beat, maybe it’s too long. Whatever it is there’s clearly a disconnect if you can’t finish a song and it’s up to you to identify that and have finality in your decisions. No song is perfect, not even The Beatles were perfect.
Q. In terms of visual content, you’ve mentioned releasing short films and bonus material after the album drops. How important is it to you to complement the music with visual storytelling, and do the visuals play a role in shaping the narrative of Me Myself and I?
A. For someone like myself definitely. I’m not big on social media, I’m not a touring artist, and as I mentioned previously I have no collaborations to help with exposure. I think that the visuals in general are important, but for me it’s like make it or break for this album and whether or not it’s as successful as I think it could be.
Q. You’ve chosen to release your music on a variety of platforms including Spotify, Apple Music, and Bandcamp. Do you see these platforms as necessary for artistic growth, or are there challenges that come with having your music so accessible to the public?
A. I’m a fan of FYE and Sam Goody. But the music industry has brought this art form down to an all you can eat buffet. So yes my music is on DSP’s but I plan on my future projects being exclusively direct to consumer.
Q. The title Me Myself and I implies a deep introspection. Is there a specific moment or realization during the album’s creation that helped you fully understand or come to terms with who you are as an artist—and as a person?
A. I’ve always said music is my way of getting to know myself better. That’s why I don’t write any lyrics, I loop the beat for 10-30 minutes and let it all out in one take before playing it back and choosing what I resonate most with. So yes it helps a great deal in that regard.
Q. What do you hope people take away from Me Myself and I, both from listening to the album and reading this interview? What do you want them to remember most about you as an artist after experiencing this personal journey?
A. They need to know how much I appreciate their time for listening/reading about the album. But to conclude, my music wasn’t made for parties or clubs but that doesn’t mean it’s boring or dull by any stretch. I try my best to keep listeners engaged by maintaining integrity in my lyrics, producing all original sounds, the average person can relate to. In a world where everyone wants to look and sound the same, I hope that goes a long way with people.
Q. And finally, we can’t thank you enough for sharing these intimate details with us! So, what’s next? Can you give us the inside scoop on your upcoming projects and what fans should be excited about? We’d love to be the first to share the news!
A. Before anything I would like to say thank you to Lila and everyone at Cage Riot Blog for allowing me the space and opportunity to express myself on this amazing platform with such great questions. Ya’ll play such an important role for up and coming artists like myself and I’m extremely grateful for the work you do. With that being said I live in beautiful Miami right now but I’m excited to say once I'm done promoting this project it’s likely I’ll be moving to the west coast to see what opportunities await me out there. In the mean time I encourage everyone to check me out on social especially in the coming month where I’ll be droping a lot of visuals for listeners to get to see more of me. Check out “Me Myself and I” dropping 8/22, God bless everyone!
Nate G, thank you so much, we appreciate you taking the time to talk to us!
End Interview
We’re happy to have shared Nate G’s exciting journey with you and uncovered such inspiring insights about their creative process.
