Michellar Shines Bright With “Get me there to Church (feat. Helen Walford & Harrison Black)” in a Radiant, Harmony-Rich Country Breakout
- STAFF
- Jun 28
- 4 min read
By: Staff
An unforgettable, harmony-rich anthem that cements Michellar as a standout voice in modern country music.
Michellar continues to prove she is one of the most authentic rising voices in country-Americana today, crafting songs that don’t just play, they resonate. There's an unmistakable heart in everything she releases. What also sets her apart is the sheer sincerity in her delivery. Her storytelling feels lived-in, never manufactured, and it makes you want to listen closer, again and again.
“Get me there to Church (feat. Helen Walford & Harrison Black)” opens with a kind of emotional spark that makes it nearly impossible to choose a single favorite from Michellar’s growing body of work. Each track seems to reflect a different shade of who she is.
Following that truth is this song, which instantly commands attention with its heartfelt narrative. What really drives this track home is its message, one that’s deeply personal yet universal. It’s a reflection on love, the kind that goes beyond simply living side by side. It’s about the yearning for permanence, for something sacred. Michellar takes that deeply human realization, that cohabitation doesn’t promise forever, and spins it into a country-rooted anthem of commitment, soul, and hope. Framed in a warm, story-forward structure, the message lands with even more power.
We were especially taken by the magnetic chorus line that simply refuses to leave our minds:
“Get me there to church with bells please say yes I’m down on my knees”
That line, that moment, it’s unforgettable. The production decision to feature both male and female vocals here was genius. It elevates the emotion, showcasing the contrast and harmony between two voices in love. The interplay of vocal tones feels like a call and response between hearts. What also stands out is the smooth, effortless blend between them. The dynamic shared by Michellar, Helen Walford, and Harrison Black feels intimate and authentic, like three artists who either knew each other deeply or found an instant, undeniable connection in the room. That kind of chemistry cannot be faked, and it lifts the entire song.
Then comes the unmistakable Americana energy, brimming with warmth and wrapped in upbeat country tones, that sweeps you up and carries you right into the scene. You can practically picture it: taking your partner’s hand, running down a dusty back road, chapel bells echoing in the distance, the preacher waiting with a grin and a good word. That sense of momentum and clarity in the arrangement is cinematic. It gives the impression that this is a love so real, even the whole town has been waiting for it to happen.
What also deserves serious praise is how the song manages to carry all this joy and energy without sounding overly polished or studio-forced. It feels organic, like the three of them are sitting on stools, facing each other, playing for the sheer love of it, completely unaware that we’re listening. That’s the mark of a timeless song. It reaches out, wraps itself around the listener, and refuses to let go. It’s not just about impressive vocals or clever lines. It’s about spirit, and this song has it in spades.
The musical arrangement itself is another high point. From the banjo-style guitars and expressive slides to the low, thundering bass notes and punchy, driving drums, every layer is placed with intent. There’s weight behind the choices here, and it all supports the emotion without overpowering the vocal story.
Michellar’s instincts when it comes to collaborators are clearly spot on. Her choice to work with producer Tobias Wilson, along with vocalists Helen Walford and Harrison Black, resulted in a trio that just clicks. The engineering and recording teams across San Francisco, London, and Staffordshire truly brought their A-game to the table. You can feel the intention behind every moment. Following that understanding is the realization that Michellar is not just making music. She is making a mark. In what can only be described as a challenging time to break through, she is creating work that genuinely stands out.
Once again, we find ourselves impressed and frankly a little stunned that Michellar hasn’t already reached a wider audience. Every song in her catalog brings something compelling, something fun, something with a message. If you haven’t yet discovered Michellar’s music, now is the time. “Get me there to Church (feat. Helen Walford & Harrison Black)” might just be the one that turns the tide. Honestly, we wouldn’t be surprised if it does.
“Get me there to Church (feat. Helen Walford & Harrison Black)” by Michellar is a glowing masterclass in emotional storytelling and vocal chemistry.
San Francisco-based vocalist Michellar brings a distinctive voice to the modern country landscape, one that feels equally grounded and forward-thinking.
Known offstage as Michelle Bond, she isn’t just the voice behind the mic. She is the creative force driving the entire vision. As both songwriter and musician, her instincts are sharp, her storytelling vivid, and her style rooted in honest emotion rather than formula.
The project was brought to life with the help of producer Tobias Wilson and featured the vocal talents of Helen Walford and Harrison Black, both of whom brought additional dimension and tone to the recording. The sessions spanned three locations: San Francisco, London, and Staffordshire. This shows the lengths Michellar was willing to go to create something real and resonant.
We’re so excited to know and can never wait to hear more from Michellar!
Make sure to playlist, stream and share “Get me there to Church (feat. Helen Walford & Harrison Black)” by Michellar.
