Mark Masguro Drops Powerful New Album 'B-Emo To be Emotional is not a Suggestion It is the Lifestyle.' and Connects With Us to Share His Creative Journey
- STAFF
- Aug 23
- 8 min read
By: Staff
'B-Emo To be Emotional is not a Suggestion It is the Lifestyle.' is a fearless, genre-defying masterpiece that speaks to the soul.
In a world where raw emotion and pulsating rhythms collide, one artist is breaking boundaries and redefining musical storytelling. Mark Masguro’s latest album, 'B-Emo To be Emotional is not a Suggestion It is the Lifestyle', is a thrilling, unfiltered ride through the heart of his creative evolution. Blending genres with fearless authenticity, this project marks a new chapter, where every note pulses with brutal honesty and every word resonates deeply.
We spoke with Mark about the making of his album, the driving forces behind his sound, and how fatherhood has profoundly shaped his artistic journey. As he explores the depths of his personal experiences, this album becomes more than just music; it’s an invitation into his world, where the lines between family and artistry blur. He reveals how his son, just 14 years old, lends his voice to the project, making it an emotionally charged collaboration that reflects their powerful bond.
But it’s not just about the music. Mark's journey from DJing and breakdancing to producing his own records is a story of constant reinvention, blending the past with a fearless push into the unknown. He opens up about his creative process, sharing how the freedom of working in his home studio allows him to craft music that’s deeply personal yet universally relatable.
Dive into this captivating interview, where Mark takes us behind the scenes, sharing insights on his nostalgic influences and the future of his music.
The world of Mark Masguro awaits; step inside.
Here’s how it went:
Begin Interview:
Hello Mark Masguro, we’re thrilled to have you here for this interview! We've had an amazing time exploring your music and diving into your creative journey. Now, we’re even more intrigued to get a deeper look into both your brand and your personal and professional inspirations.
Q. We loved ‘B-Emo To be Emotional is not a Suggestion It is the Lifestyle.’ From the bold opening of “Whispers” and its amazing reverberated vocals, to the slow burn of “Get Down” and then it’s explosive “dance floor” vocals to the chill nature of “Easy” we loved every moment of this album. When did you first realize the power of your music? What moment shifted it from a personal expression to a tool for sharing your story with the world, setting the foundation for your career?
A. I grew up with MTV and quickly realized I had a strong instinct for music – I could often predict the next big hits. Even without formal training, my passion led me to DJing and eventually to producing in my home studio.
The turning point was when my PC crashed. I managed to save my songs and felt it was a sign from above: share your music. That’s when it shifted from personal expression to a tool to tell my story and start my journey.
Q. Your album's title, "B-Emo: To be Emotional is not a Suggestion It is the Lifestyle," is such an intriguing and one of the most creative album titles we have ever heard. Can you give the meaning and intention behind it?
A. Wow, thank you for the compliment – that means a lot! The title is actually very personal. People who know and observe me often say I have a serious expression, and sometimes I come across as distant or hard to read. Maybe it’s even a weakness of mine – showing emotions openly.
So I chose the title very intentionally. 'B-Emo' is about embracing emotion as a lifestyle, not something you just suggest or fake. It's a reminder to myself and others that it's okay to feel deeply – even if it's not always easy to show it.
Q. You blend nostalgic influences like '80s synth-wave and cinematic textures with modern sounds. This is a bold and also unique style. Which style is the song's origin and which style becomes the influence and do you sometimes switch where you start?
A. My creative process really varies, but most of the time I start with the drums. Once I add the chords, the track naturally takes on a cinematic feel – I just love long, wide pads that allow me to escape into the concept I'm building. That’s where the nostalgic, filmic textures come in. After that, I layer the vocals. So while my sound blends retro and modern elements, the starting point often comes from rhythm – and the emotional tone follows.
Q. We learned about how you produced the album yourself. How does being both the artist and the producer influence your creative decisions, is the burden and time to complete a track longer or is the process faster because your input is more easily converted into the final version?
A. Producing music is a very personal process. Some tracks come together really quickly – sometimes within two days. Others, I put aside and leave in the drawer for a while, only to come back to them when the timing or the feeling is right.
Q. You’ve hinted at a sense of freedom in your creative process, especially in your home studio. How does that sense of freedom translate into the overall atmosphere of the album, and do you think it would have been different in a commercial studio setting?
A. The freedom I have in my home studio plays a huge role in shaping the atmosphere of the album. There’s no pressure, no time limits – I can create whenever I feel inspired, whether that’s during the day or in the middle of the night. That kind of space allows me to be more honest and emotional with my sound.
In a commercial studio, I think things would’ve felt more structured and maybe even rushed at times. There’s a different energy when you're paying for the clock. So yes, the album would probably have turned out differently – maybe more polished in a technical sense, but less personal and raw.
Q. “Whispers” captures the atmosphere of the entire album. Was there a specific moment or experience that inspired the emotional weight of that track?
A. Yes, this track was created right after Summer Night’s Dream. I was still carrying the energy and emotional flow from that piece, and I wanted to channel it directly into Whispers. My goal was to keep it short and focused, almost like a fleeting moment captured in sound.
Whispers came together very quickly – it was one of those tracks that just flowed naturally.
Q. "Devil’s Trap" features powerful vocals by Kael Sott. How did you foster this professional connection with this and the other artists and how amazing is it to be able to create such incredible music with such talented people?
A. Kael Sott is an amazing singer, rapper, and producer. I have a lot of respect for him – not just for his talent, but also for his work ethic and creativity.
Funny enough, he runs a bike shop that’s right on my way to work. That’s how we met – just through everyday life – and we started talking. From there, the connection grew naturally, and working together on Devil’s Trap was an incredible experience. It’s always inspiring to collaborate with such talented people.
Q. With a background in DJing and breakdancing, how did those early experiences shape your rhythmic sensibility as a producer, and do you find yourself incorporating those elements into your current work?
A. As a DJ, you need a strong sense of observation – knowing exactly when people start dancing, when they scream, when the energy shifts. That awareness is everything, and it stays with you.
If a DJ really knows what they’re doing, they can keep you dancing for six hours straight without you even noticing the time. That kind of rhythm intuition definitely shaped the way I produce today. It’s all about creating a flow that moves people emotionally and physically.
Q. What was the most challenging aspect of creating "B-Emo"? Did any elements of it change from one style to something else completely by the end?
A. I believe I’ve found my style – or maybe more accurately, this album helped shape it. B-Emo was a journey of self-discovery as much as it was about making music.
That said, I never want to limit myself to one direction. I’ll always stay open creatively, but no matter where I go stylistically, my signature will always be there. You’ll recognize it.
Q. What part of the album do you think best captures your growth as an artist, and why?
A. She Looks Like Me,’ which is a remix of My Son, My Life, holds a special place for me. My Son, My Life includes actual recordings of my son as a baby. I’ve always found baby sounds and baby talk fascinating – there's something pure and emotional in them.
I’m really proud of how I was able to turn those personal, intimate moments into music. For me, that track represents growth not only as an artist, but also as a father and storyteller
Q. You’ve mentioned that you reinterpreted nostalgic genres through your own lens. How do you feel that you are carrying on legacies and therefore have made yourself into a legacy with your homages?
A. There are so-called formulas for success – but I only believe in them to a very limited extent. For me, it's the uniqueness and personal signature that can truly move mountains.
Reinterpreting nostalgic genres through my own lens is my way of honoring the past while creating something new. If I can inspire others to be bold and authentic, then I’ve already achieved something meaningful – because what you give always comes back to you, often doubled.
Q. Was there any particular track or moment in the production of "B-Emo" where you realized you had tapped into something you hadn't quite explored before?
A. Yes, absolutely. During the production of B-Emo, I learned a lot about music theory and harmony. A colleague of mine, who’s a professional musician, helped me understand many of the deeper structures behind the sounds I was creating.
It opened up a whole new layer of creativity for me. I was able to approach my melodies and arrangements with a clearer sense of purpose, and that really expanded my musical language.
Q. Mark Masguro, we can’t thank you enough for sharing these intimate details! So, what’s next? Can you give us a sneak peek into your upcoming projects? What can fans look forward to, and is there anything we can expect to be the first to share with them?
A. Thank you so much – it’s been a pleasure sharing these insights with you! I’ll continue to release music regularly, and one of the upcoming tracks I’m really excited about is a West Coast rap track called ‘What Should I Say’.
It’s a raw production, intentionally kept that way to preserve its honesty. My 14-year-old son rapped on it, and I even sang a part myself. It’s a very personal track, and giving my son a voice in it means a lot to me. I’m incredibly proud of him, and I can’t wait for people to hear it.
Mark Masguro, thank you so much, we appreciate you taking the time to talk to us!
End Interview
We’re happy to have shared Mark Masguro’s exciting journey with you and uncovered such inspiring insights about their creative process.
