Lussilia Unleashes Vibrant New Single "Nuestra Fiesta" and Connects With Us For a Revealing Interview
- STAFF
- Sep 11
- 10 min read
By: Staff
An electrifying cultural triumph, “Nuestra Fiesta” is Lussilia at her most powerful, poetic, and profound.
Lussilia’s latest single “Nuestra Fiesta” has arrived, and it’s not just a song. It’s an invitation. An anthem wrapped in rhythm and cultural resonance, it pulses with the energy of unity, the emotion of memory, and the precision of someone who knows exactly where she comes from. But behind the vibrant celebration is an artist who has woven together far more than instruments and languages. She’s building a movement.
We spoke with Lussilia about the story behind “Nuestra Fiesta” and uncovered a journey as layered and dynamic as the track itself. This isn’t just about beats or melodies. It’s about identity, heritage, and the quiet but fierce decision to turn something deeply personal into a collective voice. She doesn’t just perform. She constructs worlds out of overlooked sounds and forgotten genres, finding power in traditions that refuse to fade.
In the interview, she opens up about her evolution from intimate expression to global message, the emotional precision behind singing in multiple languages, and the surprising path that led her to master them. She talks about collaboration, ambition, and what it really means to stand onstage representing something much bigger than yourself.
From dreaming of top global stages to curating a sound that honors her Venezuelan roots while amplifying her Canadian experience, Lussilia is crafting more than music. She is shaping a legacy. Whether she’s on the mic or behind the scenes building her own creative company, the vision remains the same. Unity through storytelling. Rhythm through resistance. Celebration through culture.
What does she want people to remember? What comes next? And what do her dream venues say about where she’s headed? Find out in our full interview with Lussilia.
Here’s how it went:
Begin Interview:
Hello Lussilia, we’re thrilled to have you here for this interview! We've had an amazing time exploring your music and diving into your creative journey. Now, we’re even more intrigued to get a deeper look into both your brand and your personal and professional inspirations.
Q. We loved “Nuestra Fiesta.” When did you first realize the power of your voice and creative expression? What moment in your life transformed it from a personal, intimate expression to a tool for sharing your story with the world, ultimately laying the foundation for the powerful career we see today? What message do you want to express with “Nuestra Fiesta”? How do you hope that resonates with fans?
A. I started exploring my voice around the age of 8. My dad gave me CD players and MP3 players with the music of the 90s and the millennium. I remember being so inspired by the sounds of Latin folk and boleros, but on the other end, American pop made me dance and sing at the same time. Through the years I was trying to piece together ways I could express myself, boleros made me sing and feel from the heart, while American pop gave me joy and movement. Flamenco then became a part of my life. I was a dancer at 8 years old and I loved it, I was not a sports kid at all. Music is where I find my peace, my liberation. I wrote poetry, I sang in my bedroom, I recorded songs on a little recorder, and I was truly happy.
Then, due to different socio political circumstances, my family and I left Venezuela. For a kid my age, that was a lot of turmoil. But through all the changes and challenges, music was always there. And most importantly, my roots, my country, my language. Even though I pretty much grew up outside Venezuela, I’m rooted there. It wasn’t until many, many years later, in 2019, that I finally understood how I wanted to show this to the world. The purpose of my music became clear: to connect the self with origins, with deep emotions, through sounds that make you move. That epiphany set the foundation for the artist I am today.
Q. Starting with your latest release, “Nuestra Fiesta” feels like a vibrant celebration. Could you share what this song is truly about for you, beyond just the music?
A. For me, Nuestra Fiesta is not just a track, it’s a celebration of what it means to be Latin American after we’ve left our respective countries. I actually call it an anthem. No matter where we go, we carry our food, our music, our jokes, our language, our sense of community and we even find home in places that look like home, where a lake becomes our beach or mountains become our Andes. It’s about belonging even when we’re far from home, and inviting everyone to join that celebration with us.
Q. The title “Nuestra Fiesta” translates to “Our Party” or “Our Celebration.” What inspired you to choose this specific name, and what does it signify in the context of your vision for the song?
A. When trying to choose the name, I was between three options: “Esta es Nuestra Fiesta” (This is our celebration), “Voz de mi tierra” (Voice of our land), and “Latinos Presentes” (Us Latinos, we are here!) But we wanted something that encompassed the meaning globally and was easy to say, so we chose Nuestra Fiesta. The title came naturally because that’s what this song is: OURS. Not just mine as the artist, but ours as a people. It’s the kind of fiesta where everyone’s welcome. Whether you’re Latino or not, that’s why the lyrics say “the more the merrier!” It’s a reminder that joy multiplies when it’s shared.
Q. You sing in Spanish, English, and French, which is so exciting. What does each language allow you to express differently? Could you share the journey that led you to become fluent in these languages, and what each language means to you personally and artistically?
A. Spanish is my mother tongue, it’s where my deepest emotions live, my roots, my family, my sense of being. English became the bridge, the language that gave me freedom to connect in Canada and beyond, growing up in a multicultural setting since the age of 12, when I first moved to Trinidad with my family. And French, it was introduced to me as a teenager, and I saw it as poetry and elegance. I was immediately drawn to it, so I decided to minor in French in university and study in Marseille to expand my vocabulary. Each language opens a different window into my story and connects me with new audiences in an authentic way.
Fun fact: when we wrote Nuestra Fiesta, we wanted to encompass ALL Latinos, all of Latin America, and that meant Brazil. So Portuguese had to come in. I don’t know a word of Portuguese, but we called our music director, who’s Brazilian, to help. I think it’s so fun. Vancouver has a big Brazilian population, and we definitely didn’t want to leave them out.
Q. Your live performances with a four piece band bring the energy of “Nuestra Fiesta” to life. How does performing live compare for you to creating and recording in the studio?
A. Great question. Since 2018, when I released my first song, Fiesta de Labios, I’ve been an independent artist. Of course, I used to sing in other bands, but they weren’t mine. Having my own band was always a dream. It wasn’t until I moved to Vancouver that this became a reality. Four years ago, we founded my full band, and we’ve accomplished great things. I’m so blessed to have met the most amazing musicians here who bring joy and the same passion I have for music on stage.
These musicians hadn’t been part of my recordings before, but with Nuestra Fiesta, they were. The dream came true. Linaldo Sans, our music director and bassist, is one of the songwriters, arrangers, and bassist on the track. Cole Ford plays the guitars. So this project was really special. Usually, though, the studio happens at home since my producers are in Miami and we collaborate remotely. Recording then feels like a sanctuary where we bring ideas to life.
Q. As the founder of Lussilia Canada Inc., managing your own productions, how has wearing the entrepreneurial hat shaped your creative process and the way you tell your story through music?
A. It’s given me a lot of clarity and direction. I’m a continuous improvement professional by trade, and it’s so satisfying to apply that to my own company. Being my own manager means I get to build a full vision, not just the music, but the whole experience around it. It’s a lot of work, but I wouldn’t trade it. I think it’s fundamental.
I’m an entrepreneur in music, that’s how I believe all independent artists should think of themselves. We get this opportunity to build our company from the ground up, with all its value streams, variables, risks, and opportunities. And I get to tell my story exactly the way I want it told.
Q. “Nuestra Fiesta” is planned to be featured at cultural events leading up to FIFA 2026, a global event. What does it mean to you to have your music represent Latin culture on such a world stage?
A. It’s both humbling and powerful. It’s proof that the saying “anything is possible” is true. And this wouldn’t have been possible without the tremendous support from Latincouver. They’re a non profit society dedicated to building cultural bridges between Latin American heritage and the broader Canadian mosaic. They’re all about building social, cultural, and economic relationships, and they support entrepreneurs and artists in the Latin community. I’m really excited about what’s to come.
Q. You’ve mentioned reviving overlooked genres in your work. Can you speak to what specific musical traditions or styles you feel are at risk of being forgotten, and how you aim to bring them forward?
A. Folk rhythms from Venezuela, like tamunangue, joropo, the way we use cuatros and Afro Venezuelan percussion, risk being overshadowed by global pop trends. My mission is to bring those sounds forward, mix them with today’s production, and show that they’re timeless and universal.
One of my songs, Elemental, I sometimes ask people, “So what genre is this?” and they struggle to answer, which I find funny. Even I didn’t know at first. One of my producers, Guillermo, explained it’s called “mariachi costeño,” coastal mariachi. Apparently, when mariachi from Mexico came into Venezuela through the coast, it blended with local rhythms and that’s what emerged. So we take those intricate sounds and make our own mixes, our own interpretations. We truly have fun with the productions, and that’s why they’re so rich.
Q. The use of specific traditional instruments like the cuatro, charango, and marimba is prominent in your work. What role do these instruments play in your storytelling and cultural expression?
A. Traditional Venezuelan instruments are the main characters in my music. What predominates in most songs is the Afro Venezuelan percussion. Before I was a singer, I was a dancer, so I love having something to groove to. Each instrument we use carries centuries of history, joy, and pain.
In Nuestra Fiesta, we went much farther than Venezuela. Because it’s a Latin anthem, it had to represent all Latin American countries. So aside from the usual instruments, this was the first song where we featured marimbas, charango, and flutes like the quena. In this track, we travel through six regions mentioned in the bridge: the Caribbean with drums, the Andes with the charango, the Cono Sur with the quena, the Altiplano with flutes, and the North with the saxophone. Through my music, we hope to connect with a broad audience through sounds, traditions, and culture.
Q. You’ve opened for renowned Latin artists and performed at major festivals. What is the most euphoric moment in those experiences? The moment your set starts? Meeting the other bands? Or something else?
A. Honestly, it’s the 30 seconds before heading on stage. Realizing that a dream is coming true, that I’m surrounded by bright, talented people, and more than that, honest souls who walk with me. I feel a rush of adrenaline, then the first beat drops, and as soon as I see someone in the audience light up, start dancing, or sing along, that moment of connection is everything.
Q. Looking ahead, how do you envision your role as a cultural ambassador evolving, especially as you continue to bridge your Venezuelan roots with your Canadian experience?
A. I see myself as a bridge, always. I want to keep opening doors for others, showing that our culture doesn’t just survive abroad, it thrives. That we can bring our traditions into new contexts and they’ll shine.
Many times, I’ve spoken to people who don’t know a word of Spanish, but they connect with the music in a surreal way. That’s when I know I’m on the right path. Growing up in Canada has been a beautiful experience because there’s a sense of belonging, you feel welcome. Of course, it’s always about respecting the land, the local traditions and culture, but also finding synergy to connect and expand.
Q. What do you want people to remember most about you after hearing this song and reading this interview?
A. That I have a real passion for what I do. That my music is about connection, about roots, about joy, a remembrance of something beautiful without regret or bitterness. And that I’m here to make you feel, move, and celebrate with me, no matter the language or the rhythm that’s hard to label.
Q. What’s your wish list of the top 3 venues to perform at?
A. First, Queen Elizabeth Theatre in Vancouver. Second, Teatro Teresa Carreño in Caracas, Venezuela, the most iconic venue in my country. And third, Teatro Juárez in Guanajuato, Mexico.
Q. Outside of music, who or what has had the biggest influence on your personal growth or artistic perspective?
A. My family, without a doubt. They taught me resilience, love, discipline, and the importance of staying connected to who you are. That’s what drives everything I do.
Q. Lussilia, we can’t thank you enough for sharing these intimate details! So, what’s next? Can you give us the inside scoop on your upcoming projects and what fans should be excited about?
A. I am so honored and thankful to have been given this space. Our next projects focus on the visual side of the songs, so that means music videos. Another single is in the works. We’re also planning concerts for 2026, including those FIFA events we talked about. That will be really fun.
So, more music, more collaborations, and more fiestas. Thank you, from the bottom of my heart, for having me.
Lussilia, thank you so much, we appreciate you taking the time to talk to us!
End Interview
We’re happy to have shared Lussilia’s exciting journey with you and uncovered such inspiring insights about their creative process.
